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May 14, 2003

I don’t wanna wait

If you haven’t watched at least a few episodes of Dawson’s Creek feel free to skip this entry. I won’t hold it against you. (As long as you don’t hold it against me that I actually just spent two hours watching Dawson’s Creek in the first place.) Move along. Nothing to see here.

So, the final episode of the series aired tonight. Some of it was a little too self-referential. Not in a clever way, but in a “let me hit you over the head with a two-by-four of reconstituted ‘I can’t believe it’s not wit’” way. We’re five years into the future, and Dawson is now executive producer for a TV show based on his youth called The Creek, which airs Wednesday nights at 8. How cute. No, not really.

I’ve been watching Jack for a while now, to see where the writers take him—one of the few gay recurring characters on network television—and I thought it a little too convenient to have him hooked up with Doug, the only other gay character on the show, almost as if to say, “Hey, the two gay guys, of course they end up together,” regardless of any emotional connection between the two, which was absent in the episodes leading up to the finale. (Then again, the fictional town of Capeside isn’t exactly the Castro, so in a town that small I guess it could happen.)

But other than a few nitpicks, I admit to a certain feeling of loss, not the least of which is caused by Jen’s death. The commercials had made it all very mysterious and gimmicky (“One of these friends will die…”), but in the end it was handled pretty well, resulting in a minimum of eye-rolling on my part.

I actually found the finale kind of affecting. The show has had its ups and downs over the years—we have a love-hate relationship—but I’m sad it’s over.

Do you hear the people sing?

To follow up on yesterday’s entry: I’m out of the loop again. I knew Les Misérables was closing on Broadway, but I didn’t realize it was this weekend! Of course all the remaining performances are sold out. I first saw the show in San Francisco, back in my high-school days, and fell in love with it. I was obsessed. My friend Steve and I would debate the merits and dissect every nuance of the various cast recordings: London, Broadway, international symphonic… I even have the original French concept album somewhere. (A great place to find obscure cast albums and soundtracks is Footlight Records in the East Village. I keep reminding myself to get the Italian recording of Rent there.)

So yeah, I never got to see Les Miz on Broadway. You know how it is… you visit New York, and given limited time, you don’t make a point to see the old standards, which you figure will be around forever or tour to a theater near you. It would’ve been nice to see it again for the first time, as it were, but oh well.