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August 11, 2003

Take nine

From a recent Trading Spaces episode, carpenter Ty Pennington and designer Genevieve Gorder are ostensibly talking about the height of a couch platform, when things get a little entendre-y:

Ty: Six inches is really low. If I could give you nine, would you take nine?
Gen: I’ll take nine, yeah.
Ty: All right, I’m gonna try and give you nine.
Gen: Nine is great.

Gen can’t stop giggling, while Ty, seemingly unfazed, continues to talk shop. What were they talking about, again? Needless to say, I’d take nine from Ty anyday. Oh, I’m sorry, was that crude? Heh.

Music notes

One recent morning I was listening to Savage Garden (Affirmation) on my discman while walking down Massachusetts Avenue to the Metro, and discovered that “The Animal Song,” while making little lyrical sense, does have a perfect fashion-runway-walk tempo. Faster than a saunter, but slow enough for you to nonchalantly, yet purposefully swing your hips a bit. Honestly, I had to stop myself from doing little pivot-turns when I got to the streetcorners.

At the moment I’m listening to “Alma redemptoris mater” off Chanticleer’s wonderful twenty-fifth anniversary compilation (A Portrait), which I bought last week. Absolutely beautiful. (No, not runway material. Hm, unless you mixed it with a techno beat. Now that would be interesting. That reminds me, at Apex on Friday night, I heard a remix of the Flower Duet (“Sous le dôme épais”) from Delibes’ opera Lakmé, which you may remember from those British Airways commercials from a while back.)

Anyway, you must see and hear Chanticleer in person. These guys are amazing, virtuosic. Grr, their holiday concerts at the Met are already sold out. Ooh, but they’ll be at GMU just before then. I’m all over that.

Another day, another frap

“Hi, what can I get you?” This clerk—I can’t say the word “barista” without rolling my eyes somewhat; though now that I’ve written “clerk,” the word “barrister” also comes to mind for some reason—she seems so sincere, like she’s actually interested in what I want to drink, and wants to help me out. I like that. It’s Monday morning, and caffeine and a smile go a long way to ease me into the workweek.

I take a moment to look up at the board. I narrow my eyes, practically squinting, feigning indecision. I don’t know why I do that; maybe it’s a subconscious attempt at masking my caffeine addiction with an innocent pretense, as if to say, “What, me? Oh, I’ve never been in a Starbucks before. Let’s see, what do y’all have here?” I already know exactly what I want. The words, now routine, roll off my tongue: “I’ll have a grande caramel frap.” Ha, “frap.” I speaka their language.

I peruse the shelves of logo mugs and packaged coffee, and wait while my drink is assembled. Do I want whipped cream on that? I don’t wait for the end of the question. I drop the pretense: “Yes.”

“Soul Man” is playing over the sound system. Other days the music has been more sedate, more jazzy—one morning, the girl working the coffee machines asked her co-worker to “please change the music,” calling a particularly slow song “depressing”; when the music changed, she thanked her, saying now she didn’t have “to stab herself with a plastic knife”—but today the music is, well, soulful. My shoulders start moving to the beat. “I’m a soul man…” The girl at the cash register is grooving too, and turns to smile at the coffee-machine guy. They catch my eye, and now awakened from the stupor of the Monday-morning doldrums, we’re all having a little party, all caught up in the groove.

Drink in hand, I take a sip and ride the cool, sweet rush. Another day, another grande caramel frap. I can stop anytime. Really I can.

Happy together

I don’t write much about my personal, read romantic, life, as you may or may not have noticed, so… let’s just bust down that door right now, shall we? While the question of whether I’ve found a nice boy probably isn’t keeping you up at night, yes, I am seeing someone, and his name is Thom. So there.